Kishore Vs Kishore

And thus came about the real, the truly solid, the immensely -stimulating (for them) and the eminently rewarding (for music lovers) super hit muqabla between them. The LP-RD battle was fought mainly on the Kishore battleground, as Rafi mattered only to LP, and though LP basically went the Lata way and RD the Asha way, […]

And thus came about the real, the truly solid, the immensely -stimulating (for them) and the eminently rewarding (for music lovers) super hit muqabla between them.

The LP-RD battle was fought mainly on the Kishore battleground, as Rafi mattered only to LP, and though LP basically went the Lata way and RD the Asha way, both (one speaks of LP as one entity) did come up with winners for the other sister.

The same was the case with Anand Bakshi and Majrooh – the master composers’ pet poets – though Bakshi did more work with LP than Majrooh and the reverse was the case with RD. And how LP – even without jettisoning Rafi – gradually acclimatised themselves to Kishore in their own special way, and challenged the challenger with his own raambaan weapon to success is a saga without parallel among the exciting professional battles which have been fought in the world of Hindi film music.

Rising swiftly to the occasion, LP, whose leitmotif was solid melody as against RD’s trendy rhythms, got Kishore Kumar to vocalise the feather light Accha to hum chalte hai, a benchmark in the conversational song genre, and the ‘fizz’ical Jawani o diwani tu zindabad in Aan Milo Sajana as the first follow-up to their first Kishore offering to the new phenomenon Rajesh Khanna, Khizaan ke phool (Do Raaste).

Then amidst the Rafi-dominated score of the Muslim social Mehboob Ki Mehndi, LP made Kishore do something hitherto considered unthinkable – they made the comic-and-sad specialist sing a languorous ghazal -Mere diwanepan ki bhi dawa nahin.

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9 Blog Comments to “Kishore Vs Kishore”

  1. Ahamed Kutty says:

    the site for rafi saab is not like kk site.there are always
    write ups about rafi saab since there are lot of subjects
    about him whether it is his association with fellow singers
    or with music directors or the type of songs he rendered.
    each of his song is a lesson for true music far
    as kk is concerned his talents,his association with mds
    or fellow singers are concerned is very limited and that
    is clearly seen in this site – this site is a dessrt site.

    there are number of articles appearing in rafi saab’s
    site and no comments were there about any singer
    by the is common among rafi fans that they
    are treating rafi saab above anything including their
    beloved is giving some sort of irritation to the
    fans of other singers especially the fans of kk.this leads
    to unnecessary arguments and using bad it is
    clear that the problems are starting by kk fans.these
    fans of kk are aware that their idol kk is not enough to
    project against as far as high pitch and other difficult
    songs are concerned and that leads to the discussion
    of gantasalaji who was not at all a threat for rafi saab.

  2. Fazal Ahmad says:

    Hello friends,
    I had always been a Mohd. Rafi fan, since I was a kid. Like my parents and friends, I, obediently followed the tradition to listen and admire rafi and only rafi. His “Makhmali awaaz” was always a treat to my ears. I would sing his songs at the school and with friends. People liked me because I was eventually, if not easily. able to hit those “high surs”. I was admired.
    But, then I had chance to listen to Kishore da`s songs. I was moved! His voice was uniquely LARGE. The base in his voice was incredibly deep, unlike any other singer. His voice was inimitable. Such strong voice, reflected pronounced masculinity. His songs like ‘Hal Kya Hai Dilon Ka’, ‘Phoolon ke rang se’, ‘Aapke Anurodh Pe’ ‘Kuch To log kaheinge’ and many others, are great examples of his talent. You would see many singers singing Rafi`s songs, giving him a good enough tribute. There are sonu nigam, shabbir and many others who are fairly good at it. But Kishore Kumar was UNIQUE. No one in the world has such a tremendous throw and solidarity. AND now we can just IMAGINE what kishore da could have done if he was classically trained from his childhood. His voice would have broken the boundaries and CONQUERED the world!!
    The khanak in kishoreda`s voice was a god-gift and the almighty has not given even one-tenth of that charismatic resonance that kishoreda was rewarded with.
    Conclusively, I hope and pray that the rafi`s fans break their old bias for an hour and just listen to the songs I have recommended above! Do not banish kishore da`s talent without even weighing them fairly. And as for Rafi, he has been my guru, idol, teacher, god and always will be.

    Thank you.

  3. Sathya prasad T N says:

    Kishore the unmatchable singer. Can’t we get another Kishore soon?

  4. Shahid says:

    Why we compare these two legends ? Kishore Kumar was a genius singer one can never deny . So , in singing Kishore is a style and an institution to learn the music . How we could sing hindi /urdu songs . Kishore gave different touch to Hindi/Urdu songs . New style emerged in shape of KK this was creativity that kk given to Indian Cinema .so KK was Innovative in style of singing At same time M.Rafi at his own place sung the song with traditional way. So M. Rafi gave peaks to music in India and strengthen the music world and its foundation . Whereas KK gave new inventions to music world and new style that was not in fashion. KK gave new birth to music while M.rafi gave new life to old music .
    So There is no need to compare these two outclass singers ..
    One is fragance other is sense if one is sense other is fragance .

  5. dr sam says:

    i beg to differ with your opinion that kishore da outclassed md. rafi for the song ‘tum bin’. i believe rafi’s rendition was by far the more refined of the two and with all due respect to kishore, rafi was a class act in his own right. these two stalwarts of indian cinema gave us such a treasure trove of music and set such high standards, that we are yet to see talent reach those dizzying heights in melody.

  6. Anil says:

    rd employed kishore till end as main singer. rah pe rahate hai (nameen”), jab bhi koi kangana bole ( shaukin), rocky, “agar tum na hote” etc. eve lp had to emloy ishorein mr India in 1987.

  7. vinod says:

    i think kk is the best ever gift to mankind.

  8. A Singh says:

    Though RD is associated mainly with KK, but I would like to compliment LP for giving some of the their best works to KK. LP gave KK a total different dimension to his voice.

  9. BAPAN says:

    Kishoreda is greatest.

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